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An English-born Jewish poet known for his scathing verse indictment of ’s anti-Semitism — and for reading it before an audience that happened to include Eliot — died on Sept. 24 at his home in London. He was 96.His son Aaron confirmed the death.The author of several volumes of poetry, Mr.

Litvinoff also wrote well-received novels centering on the struggles of Jews in the European diaspora. He was the author of “” (1972), a highly praised memoir of the straitened yet vibrant Jewish community in London’s prewar East End.Mr.

Litvinoff also advocated on behalf of the rights of Jews in the postwar East Bloc. He was the founder and editor of a newsletter originally titled Jews in Eastern Europe, which was published regularly from the late 1950s to the late ’80s.But it was for his poem “” that he was best remembered. Written after World War II and widely anthologized, it was a response to work by Eliot that contained unapologetic anti-Semitic elements. One such poem, “,” included the lines:But this or such was Bleistein’s way:A saggy bending of the kneesAnd elbows, with the palms turned out,Chicago Semite Viennese.A lustreless protrusive eye. Emanuel Litvinoff CreditLucinda de JasayEmanuel Litvinoff was born in on May 5, 1915, one of four children of parents who had fled czarist pogroms in Odessa, Ukraine.

After the start of the Russian Revolution in 1917, Emanuel’s father returned there to fight with the Bolsheviks and was never heard from again.His mother supported the family as a seamstress. She eventually remarried and had five more children; Emanuel was reared in the East End with his mother, stepfather and eight siblings in two tiny rooms.So nervous that he could not hold a pencil when he sat the entrance exam for academic secondary school, Emanuel was relegated to trade school, where he was trained as a shoemaker. The only Jewish boy there, he endured anti-Semitic baiting, and beatings, as he later wrote, at the hands of his schoolmates. After leaving school, he held threadbare jobs, including fur nailer’s apprentice, helping to stretch pelts on boards before they were cut and sewn. He could not always afford food and often slept in doorways.During the war, Mr. Litvinoff served with the British Army in Northern Ireland, West Africa and the Middle East. He began writing poetry at this time.Mr.

Litvinoff was divorced from his first wife, Irene Maud Pearson, a celebrated British fashion model known professionally as Cherry Marshall and said to have had the smallest waist in London. He is survived by his second wife, Mary McClory; their son, Aaron; two children, Julian and Sarah, from his first marriage; a half-brother, Phil; three grandchildren; and two great-grandchildren. A daughter, Vida, from his first marriage, died last year.His other books include the novels “The Lost Europeans” (1959), “The Man Next Door” (1968) and “Falls the Shadow” (1983), and “The Penguin Book of Jewish Short Stories” (1979), which he edited. AdvertisementBefore Mr.

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Litvinoff took the stage to read “To T. Eliot” that day in London, a murmur ran through the crowd, which included some of Britain’s leading literary lights:, had just entered the room.By the time it was Mr. Litvinoff’s turn to read, he said afterward, he was keenly aware that the target of the corrosive lines he was about to utter was sitting in the audience.His voice shook, he recalled, giving his poem unintended force. After the opening stanzas, it continued:Yet walking with Cohen when the sun explodedand darkness choked our nostrils,and the smoke drifting over Treblinkareeked of the smouldering ashes of children,I thought what an angry poemyou would have made of it, given the pity.So shall I say it is not eminence chillsbut the snigger from behind the covers of history,the sly words and the cold heartand footprints made with blood upon a continent?Let your wordstread lightly on this earth of Europelest my people’s bones protest.When Mr.

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Litvinoff finished, as was widely reported, pandemonium ensued. The poet stood up and denounced him for insulting Eliot, prompting others in the crowd to cry “Hear, hear” in assent.There was, however, a dissenting voice. Amid the tumult, a man in the back of the room was heard to mutter: “It’s a good poem. It’s a very good poem.”The speaker was Thomas Stearns Eliot.

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